http://youtu.be/2-sIU7bxhQQ

Niby prosty blues, ale jak zrobić takie podrywania? ;o Oktawki?

Kostka

Szkoda, że jakość taka sobie...

http://www.youtube.com/watch?v=vF0buTX0baw

warwick ale brzmi.

mam bootleg... tzn mialem z 10 lat temu z tego koncertu - probowalem rozpoznac gdzie fender, gdzie warwick - slabo mi szlo

mistrzyni to jest.

Guy Pratt i jego Betsy

bardzo ładnie!

Elegancko. W końcu to Guy Pratt

Z innej stylistycznie beczki:

(09-03-2013, 01:50 PM)Doman napisał(a): Z innej stylistycznie beczki:

A jak się robi taki fajny gruz?

(09-05-2013, 07:49 AM)Pufex napisał(a):

(09-03-2013, 01:50 PM)Doman napisał(a): Z innej stylistycznie beczki:

A jak się robi taki fajny gruz?

Zdaje się, że : Warwick Corvette 6 + Tech21 XXL Bass Edition + EQ

Jon Stockman :

"I use an Ashdown EVO II 500 live and in the studio I'll use a number of heads, mainly an Ampeg SVT-CL or SVT-2, plus also Eden, Sunn and Aguilar gear, as well as my Ashdown of course. I use a boss bass equaliser (GEB-7) to reduce a bit of the low mids (160Hz) that are naturally produced from my Warwick Thumb-6, I also run an ODB-3 but I've just bought a Tech-21 XXL, which is a monster distortion, a bit differnt to the ODB-3, which is an overdrive. I also use a DD-20 boss delay and an OC-3 boss octave pedal for some parts of newer songs."

I jeszcze coś takiego znalazłem:

"the bass sound on Simple Boy was combination of I think either the ODB-3 boss overdrive or XXL Tech 21 pedal through an ampeg rig with the valve being driven and then combined with the DI being distorted by Amplitude 1 plugin, live I just use the XXL through Ashdown ABM500/Ashdown fridge in combination with an Aguilar Tonehammer through an Ashdown/Ampeg fridge at the same time. The Aguilar is supposed to emulate the distorted DI tone I had on recording so it has lots of the bass pulled out and sounds kinda horrible by itself. Adds colour to mid range live though.

Goliath was a bit different, it was a combination of ODB3 and a pedal called the Black Stone, which is made in NY and is very small. That was then put through both an Ashdown ABM 500/Ashdown fridge and an Ampeg SVT-2pro/Ampeg Fridge (mind you the studio we did this in had a vintage 70's Ampeg cabinet so it sounded huge. Actually tracked that at same time as drums, so it was a bass/drums live recording. Did same with Deadman in that studio. All else were tracked elsewhere at another studio."

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